JESS LEVEY
Untitled, from the nanny series, 2009
Untitled, from The Nanny Series continues to investigate my ongoing interest in the meanings and implications of work. After working as a corporate media professional for nearly a decade, I found working as a nanny a somewhat refreshing way to support my artistic endeavors. The transition from a New York City-based media creative to a domestic helper in a matter of weeks spurred questioning the way in which work arbitrarily defines our sense of self and how dangerous this is — especially in the current economy. But, being a nanny, like working in the office cubicle, has become monotonous and trying. It is both physically and psychologically exhausting and often times the relationship with the child involves a level of intimacy that gravitates towards the uncanny.
artist site /  email artist

JESS LEVEY

Untitled, from the nanny series, 2009

Untitled, from The Nanny Series continues to investigate my ongoing interest in the meanings and implications of work. After working as a corporate media professional for nearly a decade, I found working as a nanny a somewhat refreshing way to support my artistic endeavors. The transition from a New York City-based media creative to a domestic helper in a matter of weeks spurred questioning the way in which work arbitrarily defines our sense of self and how dangerous this is — especially in the current economy. But, being a nanny, like working in the office cubicle, has become monotonous and trying. It is both physically and psychologically exhausting and often times the relationship with the child involves a level of intimacy that gravitates towards the uncanny.

artist site /  email artist

— 2 years ago